The Atomos Sumo19 is the the first 19" production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching
Client / Director Monitor:
Built for Production:
The Aluminium alloy chassis with built-in armour houses ten mounting points around the top/bottom/side, a rear panel VESA mount & an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.
Monitor. Switch. Record:
Live Switch & Record up to four 1080/60p channels, 4 x ISO record and playback. Make working with multi-cam a breeze. Switch & mix a live record & stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade & hard cuts from the locked sources or tag & adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.
XLR Monitor & Record:
Balanced XLR Monitor & Record with 48V Phantom. Eliminate the need for a separate audio recorder by using the full size XLR connections to connect & power external microphones for balanced analogue audio with dedicated meters & adjustments for frame delay & gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack & built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.
High Bright for Rec709 Outdoor Shooting:
1200nit 19” calibrated 1920x1080 monitor. The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means it's only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Colour, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze & a flexible 3D LUT implementation to upload your own LUTs as .cube files.
Downloads & Links:
For a trouble free experience please follow these steps.
Step 1:Explore the options then add your gear to the Camera Bag. If what you’re after is not listed please add it in comments or simply Contact Us.
Step 2:View your Camera Bag & select the date & duration of the hire including the desired collection time.
Step 3:Once you're done review your Camera Bag & add any special requirements in the Message field.
Step 4:Submit to Request a Quote. You'll receive a copy of your request.
Step 5:Urban Cine will follow up with questions &/or send a formal quote if required.
Step 6:Pick Up & Return: Typically after 2:00pm the day before the hire, & by 11:00am the day after the hire. Picking up the day before gives you the opportunity to familiarise yourself with the equipment & check that everything is in order before your shoot the next day.
Step 7:Payment: For new customers payment is required prior or on collection. If you have a history with Urban Cine a credit account may be offered.
Step 8:Insurance & ID: To ensure insurance for hired equipment is valid Urban Cine Pty. Ltd. asks you to verify your identity. By doing so you are supplying the required 100 points of ID. This will protect both you the Hirer & Urban Cine Pty. Ltd. You will receive an SMS. Just follow the prompts. For more info see OCR Labs IDKit
Step 9:Using Equipment: It’s fair & reasonable to expect the hirer has the skillset to use equipment in a respectful & professional manner.
Step 10:Please report equipment failures & breakages. Feedback is important. If you’re experiencing issues with equipment on set please call asap. Often issues can be rectified over the phone.